![]() ![]() As we get into filmmaking, we think of it in layers. What do they eat? How do they drive to work? Where do they work? There were all these questions where your mind starts to expand out in all directions and imagine this world, and that’s what I love. With Pete Sohn, we made characters out of fire and water. ![]() As an animator, I wanted to sit, draw and animate monsters. For me with “Monsters Inc.”, l always believed in monsters as a kid. I like to think where we start from is trying to appeal to the kid in all of us. In films like “Lightyear” and “Elemental,” do you ever worry that the characters are too complicated for audiences to understand? There’s the shared experience as well, that you get to see it in a room with strangers, and there’s something about the energy that comes from other people that makes the whole experience more vibrant and interesting. I think you feel it more and it’s a better experience. In the case of “Elemental,” it’s a beautiful spectacle, there’s detail everywhere. We’re trying to make sure people realize there’s a great deal you’re missing by not seeing it on the big screen. And it’s more expensive for a family of four to go to a theater when they know they can wait and it’ll come out on the platform. ![]() In the long run, there’s been a bit of a mixed blessing because we’ve trained audiences that these films will be available for you on Disney+. Otherwise, it would just sit on a shelf for a year and a half. On one hand, we were so thankful that there was Disney+ so that we could release the film and people could see it. There’s so much detail and gorgeous imagery and work that was done that you can’t quite appreciate on a smaller screen. Can you talk about the strategy behind putting releases on Disney+? ![]()
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